Glaze (firing) Vs Gloss (air-dry)
Glaze or Gloss
— Choose Your Finish
Our kit includes real studio-grade earthenware clay and both finishing options so you can decide how you want your piece to live.
Glaze (Fired)
See our Find-A-Kiln page.
Gloss (Air-Dry)
At a Glance: Glaze vs Gloss
| Feature | Glaze | Gloss |
|---|---|---|
| Process | Dry → bisque fire → glaze → glaze fire | Dry → apply varnish → cure |
| Requires kiln? | Yes | No |
| Timeline | 2–6 weeks (dependant) | 10d+ drying, 28d curing |
| Clay colour | Cream | Light grey |
| Underglaze result | Bright, vibrant | Remains as applied (can use acrylics) |
| Surface | True authentic glass-like ceramics | Almost glass-like, water-resistant but less durable |
| Food & drink safe | Yes | No (dry food only) |
| Dishwasher / microwave | No | No |
| Durability | Extremely durable; lasts decades | More likely to chip/wear; shorter lifespan |
| Risk of kiln breakage | Present (moisture/trapped air can cause cracks/explosions) | None (never leaves your home) |
| Typical cost (1kg clay) | Varies (see below) | Included in kit |
The Glaze Option — What to Expect
Why choose it: Authentic ceramic results — food & drink safe, durable, professional quality. Underglazes develop bright, opaque colours when fired and the clay takes on a warm cream tone. Transforms your piece into a true functional piece of art.
What it involves: Dry fully → bisque fire to Cone 04 → apply our studio clear glaze → glaze fire to Cone 06. You'll likely work with a local kiln operator or studio for firings.
Timeline & logistics: Because firing depends on kiln availability, allow roughly 2–6 weeks in many places. Each firing cycle itself takes hours plus cooldown time.
Risks: Firing always carries risks (cracking, explosions, glaze runs). Following our Firing & Glazing Guide and the kiln operator's instructions reduces risk, but it cannot be eliminated. Typically if your piece survives bisque firing, it'll survive the glaze firing. Smaller pieces are also far less likely to have issues.
Result: Durable, glass-like finish with vibrant fired underglaze colours — the reason we created the kit.
The Gloss Option — What to Expect
Why choose it: No kiln needed. Your piece never leaves your hands, so no firing logistics and no firing risk. Ideal for decorative pieces, date-night projects, or when you simply want a self-contained experience.
What it involves: Dry fully (10+ days) → apply multiple thin coats of Gloss as instructed → allow a 4-day curing period for maximum hardness.
Timeline: Expect 14+ days from making to full Gloss maturity (drying + application + 4-day cure).
Limitations: The clay remains porous beneath the varnish. Glossed pieces are not food-safe for liquids or long contact, dishwasher/microwave safe, and are more likely to chip or wear with heavy use. Studio underglazes will not attain the fired colours — acrylic paints are an option for Glossed pieces only.
Result: A lovely, water-resistant decorative finish that's safe to handle and display, but with limited long-term durability compared to fired glaze.
Important Practical Notes
Once Glossed, you cannot fire the piece. The varnish will burn and can damage a kiln. Decide before you apply any surface treatment.
Kiln finding & cost: See our Find-a-Kiln resource for tips (local studios, community centres, showroom/co-op spaces, kilnshare.com, Facebook groups). Expect firing fees to vary — we include a rough ballpark but encourage confirming with your chosen operator.
We include both finishes intentionally. We want to make real clay accessible without forcing a single path: try the Gloss for a low-commitment start, then fire favourite pieces when you're ready.
Our Recommendation
If you can access a kiln, we recommend the Glaze (fired) finish — it's the truest expression of the craft and the reason we made the kit. If kiln access is impossible or you prefer a self-contained, immediate experience, the Gloss is an excellent, beautiful alternative for decorative work.
